For NEXT we develop out of basic elements of digital worlds a concept that characterizes a strong two-sidedness: user interface and hardware, scenery and construction, interior and exterior.

raumlabor designed the festival architecture for the transmediale 12 at the Haus der Kulturen der Welt in Berlin. The installation consists of fragments, which seen as an ensemble evoke memories of habitations. The objects appear as a new species, a fusion of furniture and construction elements.

raumlabor developed the exhibition design for “Zelluloid. Film ohne Kamera” at the Schirn Kunsthalle in Frankfurt a. M.

raumlabor developed the scenography for PICTOPIA festival at Haus der Kulturen der Welt in Berlin.

As the winner of an international competition raumlaborberlin was commissioned with the realization of the exhibition architecture for the “Kunstausstellung am Humboldthafen”, which was supposed to take place on an empty site at the Humboldthafen in the center of Berlin. The exhibition architecture is generated from mobile containers. Berlin-based firms were asked to provid these objects for the time of the exhibition. In this way firmes from Berlin would help to create a stetting in which young contemorary art could present itself.

raumlabor designed the festival architecture for the transmediale 11 at the Haus der Kulturen der Welt in Berlin. An abstract landscape unfolds as a bridge between foyer and exhibitions hall becoming a space of action and a three-dimensional projection screen at the same time. Light textile bands function as mobile walls and define several flexibel multi-purpose spaces.

A stage-truck by raumlaborberlin. Built for the play GOLDVEEDELSAGA by Gesine Dankwart. Performed on a square without name in the centre of Cologne.

Conceived as a place that is both real and ideal, the House of Contamination is an experimental museum designed to host Artissima’s curatorial programme Poetry in the Form of a Rose. Located inside the vast area of the Oval Linghotto, the large temporary structure hosts a number of spaces for each of the art disciplines investigated: dance, cinema, literature, design, urbanism and education. A ‘project within a project’, the House of Contamination is conceived as a model, a prototype of a contemporary cultural center.

I see some steps going up the hill. Something is written on them. As I start climbing up those steps , I discover information, which will accompany me on my way to the top. A scale informs me, meter after meter, about the altitude I am reaching. Another scale describes the history of the hill- from the garbage site to the hill for new energies…

The theater festival IN TRANSIT 2011 deals with the role of the spectator who is constantly staying in motion. Various encounter possibilities between spectator and actor are integrated and amplified through the spatial configuration of the stage and seating area.

An exhibition architecture for the audi urban future award, a competition looking for new ideas for urban developments for the life in 2030. Invited architects include alison brooks architects, big, cloud 9, diller scofidio + renfro and standartarchitecture. raumlabor developed a compact metaphor on urban density as carrier of the competitions’ contents.

The space station, as an extreme example of the utopian city and efficient habitable structures, is an integral part of the past century’s vision of the future. This future has arrived, and the dream of inhabited cities in outer space will remain unfulfilled for a long time to come.

Theater happens right now! A luminous mist of bubbles floating between the old bathhouse and the shaft tower of the former colliery Zeche Zollverein. On the one hand, it reminds of the cleaning process on the other of the transformation into a cultural location.

Die Ausstellung “Seismograph City – Nachhaltige Strategien in Architektur und Städtebau” fand im Sommer 2009 in Hamburg statt. Der Ort der Ausstellung war das gut erreichbar gelegene Foyer eines Bürogebäudes, was für Materialwahl und gestalterische Möglichkeiten besonsondere Herausforderungen mit sich brachte. Wir definierten es als unsere Aufgabe, das Thema Nachhaltigkeit in einer Atmosphäre der Leichtigkeit, Eleganz und Zugänglichkeit zu präsentieren – in gezieltem Kontrast zu der oft als sehr belastend empfundenen Diskussion.

Der Tempel der Vernunft ist eine eigenwillige Versuchs- und Raumanordnung von Theater im Bahnhof, raumlaborberlin und steirischem herbst in der die Besucher zwischen individuellen Gesprächen, Instant-Vorträgen, Marathonkonversationen und Demonstrationen selbst zu Fragenden und Antwortenden werden

The project “les Archivistes” is the search for parts of a puzzle that make up the history of a modern city. Over one year, residents of Herouville St.Claire participated in workshops with actors, choreographers, artists, writers, and architects, from which emerged fragments of their own imaginary City Archive. Herouville St.Claire is a 1960′s “ville neuf” (new town), planned and built with all the urban resources postwar modernism had to offer. “Le Tabularium” now attempted to put the puzzle together.

Invited by the „GLOW“ festival, raumlabor designed together with plastique-fantastique in cooperation with Designhuis-Eindhoven, the „GLOW-Lounge“ festival centre. A light object out of 600 crates. Unique in the Netherlands, for the third successive time the center of Eindhoven is the stage and podium for „GLOW: Forum of Light in Art and Architecture“.

Development and construction of exhibition architecture in a former power station in Berlin-Mitte for the “megastructure reloaded” exhibition (Autumn 2008), which will query the 1960s megastructuralists, their influence, and the relevance of their work to contemporary urban problems.

Medium-scale foyer furnishing: too big to be furniture and too small to be building structures. Consisting of abstract black, mobile elements reminiscent of facades, city models, fences and blocks, the foyer area can be infinitely redefined using the elements of this variable installation. Surface graphics by G.Lacombe, Paris

“Silver Pearl Congress Centre and Spa” was a temporary hotel and festival centre for “Art goes Heiligendamm”. In appearance it alluded to the profile of the Hotel Kempinski, Heiligendamm, “The White Pearl”, where the 2007 G8 summit took place. It had a spa, a sauna, a golf course, comfortable slumber suites with a view of the sea and a security fence. There you could do what was prohibited in Heiligendamm: proclaim your opinion, demonstrate at the fence and relax.